Reissue Tuesday : The Cocteau Twins | Head Over Heels (1983) and Treasure (1984)

Reissue Tuesday : The Cocteau Twins | Head Over Heels (1983) and Treasure (1984)

By Tim Craig

Listening to The Cocteau Twins is like listening to the ethereal, dream pop soundtrack of a movie produced by Tim Burton and directed by Guillermo Del Toro. It’s a fairy tale of rolling beats and soaring vocals that is at once dreamy and dark, it is lilting highs backed by complex undertones.

On Friday (March 16), 4AD reissued two of the Scottish band’s key offerings — 1983s Head Over Heels and 1984s Treasure — on both vinyl and CD. These two albums taken together represent the moment when the band found its stride and moved toward the mainstream success that came later.

Formed in 1979 with singer Elizabeth Fraser, guitarist Robin Guthrie and bassist Will Heggie, the Cocteau Twins earned early praise from its initial EPs to its first LP, released in 1982. After an amicable departure with Heggie in 1983, Fraser and Guthrie released that year’s Head Over Heels as a duo. In 1984, multi-instrumentalist Simon Raymonde joined the band and, back as a threesome, they released Treasure.

As a set, you can follow a band as it experiments, and then embraces the ethereal sound that not only defined a band, but also furthered a genre. In Head Over Heels, the band experiments and stretches, a more traditional track like “In Our Angelhood” bump against the experiments that approach greatness on songs such as “Sugar Hiccups.” Fraser’s vocals and Guthrie’s guitars hint at, but do not stretch too far out of the expected.

With the contributions of Raymonde on Treasure, the band fully embraces the ethereal to produce what remains a vital recording to fans of the band and of the dream pop and post-punk sound. From the opener “Ivo” to “Lorelei” through “Pandora (For Cindy)” the band’s sound becomes fully realized, with Fraser abandoning language for sound and Guthrie’s guitars free to occupy all points above, below, and through the drum and Raymonde’s bass work.

Treasure remains just that, a treasure, while Head Over Heels gives the context that helps explain how a duo and trio flirting with a new sound became the legend of The Cocteau Twins.

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